Daniel Pemberton

Gifted Golden Globes nominated composer speaks on remodeling the work of Bach within his explosive hybrid score for Ocean’s 8, how he convinced Aaron Sorkin to let him capture the essence of a rock band for Molly’s Game, and the innovative sequence he’s most proud of from medieval epic, King Arthur: Legend of the Sword.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzJune 16, 2018Paul Goldowitz, Ruby Gartenberg, Daniel Pemberton, Costa Communications, Ray Costa, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, All The Money in the World, The Man from UNCLE, The Man from U.N.C.L.E, King Arthur, King Arthur: Legend of Sword, Steve Jobs, Molly's Game, The Counselor, Ridley, Daniel Pemberton Interview, Ridley Scott, Aaron Sorkin, Guy Ritchie, Danny Boyle, Ocean's 8, The Future Sound of London, Video Game Magazine, Bedroom, Janet Street-Porter, Jean-Michel Jarre, The Grid, Brian Ino, Aphex Twin, John Barry, The Beach Boys, Ennio Morricone, Gary Ross, David Holmes, Steven Soderbergh, Ocean's Eleven, Ocean's Twelve, Ocean's Thirteen, The Italian Job, Quincy Jones, Power Station, Electric Lady Studios, Bach, Fugue in D Minor, Clair De Lune, Debussy, Getty, Run Londinium, Stockhausen, Karlheinz Stockhausen, Molly Bloom, Soundtoys, Devil-Loc, EchoBoy, Waves Abbey Road, Tape J37, Alti-Verb, Logic, Pro Tools, Black Mirror, USS Callister, Black Mirror USS Callister, Netflix, 2

Hauschka

Oscar nominated avant-garde composer and prepared piano genius discusses his sonic battle with the sea for Baltasar Kormákur’s Adrift, modernizing the tale of Guy Fawkes with electronic textures for Gunpowder, and capturing the punk yet polished attitude of Patrick Melrose.

Laura Karpman

Four-time Emmy winning composer and BMI Champion Award recipient speaks on transforming classical music with motorcycles and car parts for Mozart In The Jungle, breathing new life into the work of great American poet, Langston Hughes through Ask Your Mama, her Grammy winning multi-media opera, and what the Alliance for Women Film Composers is taking on next.

Film/TV ComposersPaul Goldowitz, Ruby GartenbergJune 8, 2018Paul Goldowitz, Ruby Gartenberg, Laura Karpman, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, 2

Maggie Phillips

Illuminated and experimental music supervisor speaks on her trial by fire entry to the field after the success of The Duplass Brothers’ The Puffy Chair, her complex collaboration with Noah Hawley and Jeff Russo to manifest the psychedelic atmosphere of Legion, and how a sync from Fargo led to the expansion of a farm in Zambia.

Music SupervisorsRuby Gartenberg, Paul GoldowitzMay 31, 2018Paul Goldowitz, Ruby Gartenberg, Maggie Phillips, Marguerite Phillips, Music Supervisor, Music Supervision, Sync, Synch, Music Licensing, Sync Licensing, Music Supervisors, Duplass Brothers, Oscars, Golden Globes, Moonlight, Sundance Film Festival, Sundance, Grand Jury Prize, The Miseducation of Cameron Post, The Handmaid's Tale, Snowfall, Altered Carbon, Legion, Fargo, Dietland, FX, AMC, Hulu, Netflix, University of Texas, Austin, Liberty Lunch, The Puffy Chair, Mark Duplass, Jay Duplass, William Morris Agency, Cyrus, Wende Crowley, Sony/ATV Music Publishing, Gabe Hilfer, Noah Hawley, Jeff Russo, Jefferson Russo, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, Yama Yama, Yamasuki Singers, Bashi Mwana, Musi-O-Tunya, Reunion, Bobbie Gentry, Locomotive Breath, Jethro Tull, War Pigs, Black Sabbath, Punk Rock, Dark Side of the Moon, Pink Floyd, Coen Brothers, Didn't Leave Nobody but the Baby, O' Brother Where Art Thou, Ship of Fools, World Party, Warren Littlefield, Bruce Miller, Elizabeth Moss, June Osbourne, Gwen Stefani, Hollaback Girl, Gilead, Marti Noxon, Sarai Walker, Julianna Barwick, Zach Cowie, Master of None, Eothen Alplatt, Now Again Records, Zambia, Reddit, Thomas Golubić, The Guild of Music Supervisors, Guild of Music Supervisors, GMS

Neil Goldberg, Dave Fraser, & Ari Winters of Heavyocity

The three brilliant pioneers behind virtual instrument empire, Heavyocity speak on the ideology that propels their groundbreaking product line, the obstacles they faced in launching their first product, Evolve, and how their enduring family bond has been instrumental to their success for over a decade.

Industry InnovatorsPaul Goldowitz, Ruby GartenbergMay 30, 2018Paul Goldowitz, Ruby Gartenberg, Heavyocity, Neil Goldberg, Dave Fraser, Ari Winters, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, James Newton Howard, Brian Tyler, Rupert Gregson-Williams, Cliff Martinez, Ramin Djawadi, Video Games, Advertising, Evolve, Heavyocity Evolve, Field Recording, Sample, Hybrid Score, Heavy Melody Music and Sound Design, New York, REO Speedwagon, Discovery, NFL, GE, Pepsi, Berklee College of Music, Annihilator, Carnegie Mellon, Heavy Melody, Game Audio Network, Game Audio Network Guild, Randy Pausch, Don Marinelli, The Last Lecture, Activision, Activision Corporate, Kontakt, Native Instruments, Digital Performer, MOTU, Pro Tools, Stylus RMX, MOTU Mach Five, Kontakt Player 2, Intakt, Giga Studio, Tascam, NAMM, GRAVITY, Heavyocity GRAVITY, Pink Floyd, Hypnosis, Skeuomorphic, Neve 1073, Perception, Perception Heavyocity, Iron Man, Marvel, Black Panther, Black Panther Perception, Heavyocity Punish, Punish, Heavyocity Damage, Damage, Heavyocity NOVO, NOVO, NOVO Modern Strings, Warner Bros Studios, Warner Bros, Orchestra, Eastwood Scoring Stage, Heavyocity AEON, AEON, Universal Audio, Waves, Waves L3, iZotope, Izotope Trash, Izotope Ozone, Izotope RX, Dave Pensado, Pensado's Place, Pensado's Place Into The Lair, Dave Pensado Into The Lair, Heavyocity Scoring Guitars 2, Scoring Guitars 2, Native Instruments Komplete Kontrol, Rosa Mexicano, Keens Steakhouse, Teddy Roosevelt, The Breslin, April Bloomfield, Le Singe Vert, The Green Monkey, Heavyocity Sale

Fil Eisler

Charismatic BMI Film & TV Award winning composer dishes on the eclectic sonic palette he employed for the upcoming radical series, AMC’s Dietland, the philosophy behind melding two stark musical worlds on Empire, and the reason why he misses scoring for Revenge.

Film/TV ComposersRuby GartenbergMay 28, 2018Paul Goldowitz, Ruby Gartenberg, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, Fil Eisler, 2

Roque Baños

Multi award-winning Spanish musical force speaks on the nightmares that led his treatment for the re-make of Evil Dead, the iconic film that encouraged him to branch out from classical music, and the heaven he experienced during the creation of his score for The Man Who Killed Don Quixote.

Tamar-kali

Maverick HMMA nominated composer of Mudbound fame and cutting-edge independent artist speaks on her striking musical treatment for Joshua Marston’s religious drama, Come Sunday, the history underpinning her Gullah/Geechee ancestry, and how ignorance is never bliss when it comes to discussions of gender and race.

Dustin O'Halloran

Expressive modern classical artist and Emmy-winning, Oscar-nominated composer speaks on his process to musically mirror the character metamorphosis in Marc Turtletaub’s Puzzle, the challenges of conveying layers of emotion through minimalism in his scores, and what he considers to be the Ferrari of pianos.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzMay 4, 2018Paul Goldowitz, Ruby Gartenberg, Dustin O'Halloran, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, 2

Michael Paquette

Fierce lead composer for Trailer Park and Guild of Music Supervisors Award recipient shares his top gear picks to make his music sound larger than life, the complex story behind Stranger Things' homage to Michael Jackson in the season 2 trailer, and how his life would be radically different if he never checked his junk folder.

ESKMO

Internationally celebrated electronic musician turned television composer, founder of Ancestor, and esteemed member of The Echo Society speaks on setting the stage for the menacing power politics of Billions, developing unique musical characters for each of Hannah Baker's tapes in 13 Reasons Why, and how spirituality has been a guiding light to ward off negative energy and stimulate creativity.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzApril 4, 2018Paul Goldowitz, Ruby Gartenberg, ESKMO, Brendan Angelides, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, Electronic Music, EDM, The Echo Society, Joseph Trapanese, Rob Simonsen, Jeremy Zuckerman, Benjamin Wynn, Nathan Johnson, Judson Crane, Machines on Task, Illuminate, Ascension, Vines and Streams, Cyberset, Ninja Tune, Florescence, Ancestor, Welder, SOL, Apollo, Billions, Milan Records, 13 Reasons Why, Interscope, Selena Gomez, Amon Tobin, Bamboo Snow, Chalice Well, Purple & Orange, Cloudlight, Come Back, We Got More, Moving Glowstream, Language, Terra, Cliffside, Jetski, Speaking in Tongues, Hypercolor, Agnus Dei, Let Them Sing, Land and Bones, Bar9, Bibio, Spor, Hundred Waters, Les Claypool, Primus, San Francisco, Connecticut, FeelHarmonic, Artist, Recording Artist, Planet Mu, Warp Records, Michael Jackson, The Prodigy, Roland JX-305, The Residents, Eskimo, Downbeat, Vertical Sound, Cyber Funk, Aphex Twin, Yuri's Night, NASA, Los Angeles, Ableton, Logic, Showtime, Netflix, Charlie Chaplin, Vibiana Downtown, Ace Theatre, Reggie Watts, Mica Levi, Jonsi, Sigur Rós, Chris Taylor, Grizzly Bear, Chelsea Wolfe, Clark, R&S, Tiny Desk Concert, NPR, Kontakt, Razor, Serum, Imposcar, UAD, Soundtoys, Trash, iZotope, FabFilter, Paul Giamatti, Damian Lewis, Stranger Things, Bobby Axelrod, Production, Music Producer, LA2A, Manley, Brainworks, Subpac, Albert The Wonder Squirrel, Buddhist, Buddhism, Thich Nhat Hanh, Deer Park Monastery, Plum Village, 2, 3

Peter Nashel

The fastidious musical chameleon and co-founder of DuoTone Audio Group speaks on the rationale behind his treatment for the key incident in I, Tonya, teases out the modernized East meets West soundscapes of Netflix's Marco Polo, and explains what a vacation from your computer can do for your artistry.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzMarch 22, 2018Paul Goldowitz, Ruby Gartenberg, Peter Nashel, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, I Tonya, Marco Polo, Netflix, Eastman School of Music, Manhattan School of Music, Bill Holderman, Book Club, Jane Fonda, Candice Bergen, Diane Keaton, Younger, TV Land, DuoTone, DuoTone Audio, The Nigerian Prince, Paul Cohen, Broadway, Tanglewood, John Coltrane, The Heath Brothers, Bill Barron, Kenny Barron, Wesleyan, New York, New York City, Brooklyn, Jack Livesey, Moby, Play, The Beastie Boys, The Cranberries, tomandandy, Swing House, Atwater Village, Robert Urband, Film Music Management, Manager, Alexandre Desplat, Elmer Bernstein, Michael Kamen, Susan Jacobs, Craig Gillespie, Allison Janney, Tatiana S. Riegel, Bernard Hermann, Brian Deming, Lawrence Manchester, Tonya Harding, Jeff Gillooly, Nancy Kerrigan, Shane Stant, Shawn Eckhardt, China, Mongolia, John Fusco, Jim Black, Music Supervisor, Music Supervision, Dave Weiss, The Lion King, Flutist, Flautist, Multi-Instrumentalists, Game of Thrones, Outlander, Kublai Khan, Eric Hachikian, One Hundred Eyes, The Starship Enterprise, John Williams, Logic, Omnisphere, EastWest, Kontakt, Little Phatty, Moog Voyager, Fender Rhodes, Wurtlitzer, My Dinner with Andre, Karlheinz Stockhausen, Wallace Shawn, Southold, Long Island, Connecticut, 2, 3, I, Sue Jacobs, DuoTone Audio Peter Nashel

INTERVIEWS