Christopher Lennertz

Jubilant Emmy-nominated and Grammy-winning composer speaks on how Amazon Prime Video’s The Boys incorporates overtones of social commentary and flips the conventional superhero trope on its head, scouring pawn shops for battered amps and guitars to cultivate the aggressive garage rock sound unique to the crew of vigilantes, the universal self-empowerment message that shaped UglyDolls’ star-studded soundtrack, and how he modeled his career after his mentors to thrive in a relationship-based industry.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzJuly 26, 2019Pop Disciple, Christopher Lennertz, Costa Communications, Ray Costa, Ruby Gartenberg, Paul Goldowitz

Max Richter

Elegant contemporary classical artist and Emmy nominated composer shares about creating gender delineations within his intense Elizabethan inspired score for Mary Queen of Scots, implementing the devil’s interval and lamenting bass to reflect the grim emotional terrain of Taboo, and his approach in illustrating a 60-year long relationship with stunning piano duets on My Brilliant Friend.

Mark Isham

Legendary Emmy and Grammy winning composer, electronic music pioneer, and jazz maestro speaks on his majestic orchestral approach across seven seasons of Once Upon A Time, reuniting with Jodie Foster for the unsettling Arkangel episode of tech-horror anthology, Black Mirror, and melding his dark, triumphant score with the contemporary tracks in Marvel’s Cloak & Dagger.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzAugust 15, 2018Pop Disciple, PopDisciple, Paul Goldowitz, Ruby Gartenberg, Mark Isham, Ray Costa, Costa Communications, 2

Daniel Pemberton

Gifted Golden Globes nominated composer speaks on remodeling the work of Bach within his explosive hybrid score for Ocean’s 8, how he convinced Aaron Sorkin to let him capture the essence of a rock band for Molly’s Game, and the innovative sequence he’s most proud of from medieval epic, King Arthur: Legend of the Sword.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzJune 16, 2018Paul Goldowitz, Ruby Gartenberg, Daniel Pemberton, Costa Communications, Ray Costa, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, All The Money in the World, The Man from UNCLE, The Man from U.N.C.L.E, King Arthur, King Arthur: Legend of Sword, Steve Jobs, Molly's Game, The Counselor, Ridley, Daniel Pemberton Interview, Ridley Scott, Aaron Sorkin, Guy Ritchie, Danny Boyle, Ocean's 8, The Future Sound of London, Video Game Magazine, Bedroom, Janet Street-Porter, Jean-Michel Jarre, The Grid, Brian Ino, Aphex Twin, John Barry, The Beach Boys, Ennio Morricone, Gary Ross, David Holmes, Steven Soderbergh, Ocean's Eleven, Ocean's Twelve, Ocean's Thirteen, The Italian Job, Quincy Jones, Power Station, Electric Lady Studios, Bach, Fugue in D Minor, Clair De Lune, Debussy, Getty, Run Londinium, Stockhausen, Karlheinz Stockhausen, Molly Bloom, Soundtoys, Devil-Loc, EchoBoy, Waves Abbey Road, Tape J37, Alti-Verb, Logic, Pro Tools, Black Mirror, USS Callister, Black Mirror USS Callister, Netflix, 2

INTERVIEWS