Peter Nashel

The fastidious musical chameleon and co-founder of DuoTone Audio Group speaks on the rationale behind his treatment for the key incident in I, Tonya, teases out the modernized East meets West soundscapes of Netflix's Marco Polo, and explains what a vacation from your computer can do for your artistry.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzMarch 22, 2018Paul Goldowitz, Ruby Gartenberg, Peter Nashel, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, I Tonya, Marco Polo, Netflix, Eastman School of Music, Manhattan School of Music, Bill Holderman, Book Club, Jane Fonda, Candice Bergen, Diane Keaton, Younger, TV Land, DuoTone, DuoTone Audio, The Nigerian Prince, Paul Cohen, Broadway, Tanglewood, John Coltrane, The Heath Brothers, Bill Barron, Kenny Barron, Wesleyan, New York, New York City, Brooklyn, Jack Livesey, Moby, Play, The Beastie Boys, The Cranberries, tomandandy, Swing House, Atwater Village, Robert Urband, Film Music Management, Manager, Alexandre Desplat, Elmer Bernstein, Michael Kamen, Susan Jacobs, Craig Gillespie, Allison Janney, Tatiana S. Riegel, Bernard Hermann, Brian Deming, Lawrence Manchester, Tonya Harding, Jeff Gillooly, Nancy Kerrigan, Shane Stant, Shawn Eckhardt, China, Mongolia, John Fusco, Jim Black, Music Supervisor, Music Supervision, Dave Weiss, The Lion King, Flutist, Flautist, Multi-Instrumentalists, Game of Thrones, Outlander, Kublai Khan, Eric Hachikian, One Hundred Eyes, The Starship Enterprise, John Williams, Logic, Omnisphere, EastWest, Kontakt, Little Phatty, Moog Voyager, Fender Rhodes, Wurtlitzer, My Dinner with Andre, Karlheinz Stockhausen, Wallace Shawn, Southold, Long Island, Connecticut, 2, 3, I, Sue Jacobs, DuoTone Audio Peter Nashel

Marat Berenstein

Tenacious artist manager, founder of The Marat Berenstein Company, and adjunct professor at NYU's Clive Davis Institute of Recorded Music speaks on his illuminating experience working for the legendary Art Garfunkel, the importance of being a person of integrity in business, and how social sharing has radically changed the distribution of music.

Industry InnovatorsRuby Gartenberg, Paul GoldowitzMarch 9, 2018Paul Goldowitz, Ruby Gartenberg, Marat Berenstein, Matt FX Feldman, Clive Davis Institute, Clive Davis Institute of Recorded Music, Columbia University, Art Garfunkel, Simon and Garfunkel, Matt FX, Matt Feldman, Music Supervisor, Music Supervision, The Marat Berenstein Company, Marat Berenstein Company, Broad City, Synead Nichols, Synead, Millions March, Millions March NYC, Edward R. Murrow, Ivy League, Computer Science, Puff Daddy, P. Diddy, Jay-Z, Russell Simmons, Rick Rubin, MTV, Rolling Stone, Vibe, LinkedIn, Myspace, Facebook, Manager, Management, Artist Manager, Artist Management, Sync, Sync Licensing, Music Licensing, George Stephanopoulos, Madison Square Garden, Rob Reiner, Rumor Has It, Jennifer Aniston, Kevin Costner, The Graduate, Decon Records, Mass Appeal Records, Future Music Moguls, Pharrell, Jason King, Tisch School of the Arts, NYU, New York University, New York City, New York, Bob Power, A Tribe Called Quest, Maggie Rogers, Alaska, Summer High School, Spotify, Apple Music, Amazon, Tidal, Tunecore, CD Baby, DistroKid, Stem, YouTube, Twitter, Snapchat, Instagram, Instagram Live, Frank Ocean, Hit Me Music, Colossal Clusterfest, Comedy Central, Superfly, Abbi Jacobson, Ilana Glazer, Troy Carter, Atom Factory, Lady Gaga, Prince

Matt FX Feldman

Music supervision prodigy, eminent record producer/DJ, and all-around cultural tastemaker speaks on the current state of popular music, shaping the wild sonic identity of Comedy Central's hit show, Broad City, and names his top "ones to watch" for the year ahead.

INTERVIEWS