Maggie Phillips

Brilliant music supervisor and founder of Deep Cut Music returns to discuss how she accomplished a near-impossible feat in licensing the entire Homecoming soundtrack from classic pre-existing film scores, the disconcerting parallels between contemporary American life and Gilead in The Handmaid’s Tale, propelling creepiness and otherworldliness with country ballads and French singers on The Act, the liberating and tear-inducing Ariana Grande sync during the pool party in Shrill, and a hint of what’s to come in the final season of Legion.

Music SupervisorsRuby Gartenberg, Paul GoldowitzMay 31, 2018Paul Goldowitz, Ruby Gartenberg, Maggie Phillips, Marguerite Phillips, Music Supervisor, Music Supervision, Sync, Synch, Music Licensing, Sync Licensing, Music Supervisors, Duplass Brothers, Oscars, Golden Globes, Moonlight, Sundance Film Festival, Sundance, Grand Jury Prize, The Miseducation of Cameron Post, The Handmaid's Tale, Snowfall, Altered Carbon, Legion, Fargo, Dietland, FX, AMC, Hulu, Netflix, University of Texas, Austin, Liberty Lunch, The Puffy Chair, Mark Duplass, Jay Duplass, William Morris Agency, Cyrus, Wende Crowley, Sony/ATV Music Publishing, Gabe Hilfer, Noah Hawley, Jeff Russo, Jefferson Russo, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, Yama Yama, Yamasuki Singers, Bashi Mwana, Musi-O-Tunya, Reunion, Bobbie Gentry, Locomotive Breath, Jethro Tull, War Pigs, Black Sabbath, Punk Rock, Dark Side of the Moon, Pink Floyd, Coen Brothers, Didn't Leave Nobody but the Baby, O' Brother Where Art Thou, Ship of Fools, World Party, Warren Littlefield, Bruce Miller, Elizabeth Moss, June Osbourne, Gwen Stefani, Hollaback Girl, Gilead, Marti Noxon, Sarai Walker, Julianna Barwick, Zach Cowie, Master of None, Eothen Alplatt, Now Again Records, Zambia, Reddit, Thomas Golubić, The Guild of Music Supervisors, Guild of Music Supervisors, GMS

Jennifer Harmon

Distinguished Senior Director of Film/TV at ASCAP speaks on her journey from psychology and neuroscience to the music business, her role in nurturing the next wave of talent in the composing world, and what to expect from this year’s ASCAP “I Create Music” EXPO in May.

Industry InnovatorsRuby GartenbergApril 23, 2018Paul Goldowitz, Ruby Gartenberg, Jennifer Harmon, Jen Harmon, ASCAP, ASCAP EXPO, ASCAP "I Create Music" EXPO, ASCAP Film Scoring Workshop, Richard Bellis, ASCAP Screen Music Awards, Krakow Film Music Festival, Soundtrack Cologne, World Soundtrack Awards, Didier Rachou, Matthew Margeson, Layla Minoui, Joseph Trapanese, Julia Newmann, Columbia University, Oscars, Golden Globes, Nicholas Britell, Moonlight, Austin Wintory, BAFTA, Journey, Rob Duncan, Castle, Vampirina, Disney, Elizabeth Matthews, Marilyn Bergman, Germaine Franco, ASCAP Shirley Walker Award, Film Independent, Project Involve, Music Modernization Act, Junkie XL, Mad Max: Fury Road, Tomb Raider, Katy Perry, Justin Timberlake, Timbaland, Quincy Jones, Pulitzer Prize, Lin-Manuel Miranda, EMMY, EMMYs, Bear McCreary, Chris Stapleton, Luke Cage, Adrian Younge, Ali Shaheed, Ali Shaheed Muhammad, Call of Duty: WWII, World of Warcraft, Bioshock, Middle-earth: Shadow of War, Production Music Association

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