Posts tagged Broadway

Maureen Crowe

Veteran music supervisor and co-founder of the Guild of Music Supervisors speaks on the sparkling legacy of The Bodyguard soundtrack, rounding up rock legends for Wayne’s World, her unrelenting advocacy on behalf of music supervisors, and what variables can impact the perceived value of a copyright.

Music SupervisorsRuby Gartenberg, Paul GoldowitzSeptember 5, 2018Pop Disciple, PopDisciple, Paul Goldowitz, Ruby Gartenberg, Maureen Crowe, Music Supervisor, Music Supervision, Sync, Synch, Music Licensing, Sync Licensing, Music Supervisors, The Bodyguard, Wayne's World, Chicago, The Perfect Storm, Newsies, The Pink Panther, Poseidon, The Young Victoria, Fame, The Recording Academy, The Guild of Music Supervisors, Guild of Music Supervisors, Newhouse School at Syracuse, Broadway, AFI, A&R, SBK Music Publishing, Documentary, New York, GRAMMY, Ken Ehrlich, Jay Landers, Diane Warren, Becky Mancuso-Winding, Footloose, Joel Sill, La Bamba, Officer and a Gentleman, Whitney Houston, Kenny G, Aaron Neville, Kevin Costner, Fried Green Tomatoes, David Foster, Motown, Prisoner Disguise, Linda Ronstadt, Dolly Parton, Best Little Whorehouse in Texas, The Eagles, Neil Young, Dances with Wolves, Field of Dreams, Renee Zellweger, Catherine Zeta-Jones, Rob Marshall, Director, Gene Kelly, Kenny Ortega, King of New York, Jeffrey Katzenberg, Alice Cooper, Queen, Bohemian Rhapsody, Freddie Mercury, Black Sabbath, Jimi Hendrix, Frank Wolfe, Feed My Frankenstein, Shep Gordon, Foxy Lady, What's New Pussycat, Father of the Bride, Steve Martin, Star Trek, Nirvana, Julianne Jordan, Mary Ramos, Reservoir Dogs, Stuck in the Middle with You, The La's, There She Goes, Evyen Klean, Alexandra Patsavas, PJ Bloom, Dave Jordan, Motion Picture Academy, The Academy, Shonda Rhimes, Grey's Anatomy, Music Modernization Act

Peter Nashel

The fastidious musical chameleon and co-founder of DuoTone Audio Group speaks on the rationale behind his treatment for the key incident in I, Tonya, teases out the modernized East meets West soundscapes of Netflix's Marco Polo, and explains what a vacation from your computer can do for your artistry.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzMarch 22, 2018Paul Goldowitz, Ruby Gartenberg, Peter Nashel, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, I Tonya, Marco Polo, Netflix, Eastman School of Music, Manhattan School of Music, Bill Holderman, Book Club, Jane Fonda, Candice Bergen, Diane Keaton, Younger, TV Land, DuoTone, DuoTone Audio, The Nigerian Prince, Paul Cohen, Broadway, Tanglewood, John Coltrane, The Heath Brothers, Bill Barron, Kenny Barron, Wesleyan, New York, New York City, Brooklyn, Jack Livesey, Moby, Play, The Beastie Boys, The Cranberries, tomandandy, Swing House, Atwater Village, Robert Urband, Film Music Management, Manager, Alexandre Desplat, Elmer Bernstein, Michael Kamen, Susan Jacobs, Craig Gillespie, Allison Janney, Tatiana S. Riegel, Bernard Hermann, Brian Deming, Lawrence Manchester, Tonya Harding, Jeff Gillooly, Nancy Kerrigan, Shane Stant, Shawn Eckhardt, China, Mongolia, John Fusco, Jim Black, Music Supervisor, Music Supervision, Dave Weiss, The Lion King, Flutist, Flautist, Multi-Instrumentalists, Game of Thrones, Outlander, Kublai Khan, Eric Hachikian, One Hundred Eyes, The Starship Enterprise, John Williams, Logic, Omnisphere, EastWest, Kontakt, Little Phatty, Moog Voyager, Fender Rhodes, Wurtlitzer, My Dinner with Andre, Karlheinz Stockhausen, Wallace Shawn, Southold, Long Island, Connecticut, 2, 3, I, Sue Jacobs, DuoTone Audio Peter Nashel

INTERVIEWS