Daniel Pemberton

Gifted Golden Globes nominated composer speaks on remodeling the work of Bach within his explosive hybrid score for Ocean’s 8, how he convinced Aaron Sorkin to let him capture the essence of a rock band for Molly’s Game, and the innovative sequence he’s most proud of from medieval epic, King Arthur: Legend of the Sword.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzJune 16, 2018Paul Goldowitz, Ruby Gartenberg, Daniel Pemberton, Costa Communications, Ray Costa, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, All The Money in the World, The Man from UNCLE, The Man from U.N.C.L.E, King Arthur, King Arthur: Legend of Sword, Steve Jobs, Molly's Game, The Counselor, Ridley, Daniel Pemberton Interview, Ridley Scott, Aaron Sorkin, Guy Ritchie, Danny Boyle, Ocean's 8, The Future Sound of London, Video Game Magazine, Bedroom, Janet Street-Porter, Jean-Michel Jarre, The Grid, Brian Ino, Aphex Twin, John Barry, The Beach Boys, Ennio Morricone, Gary Ross, David Holmes, Steven Soderbergh, Ocean's Eleven, Ocean's Twelve, Ocean's Thirteen, The Italian Job, Quincy Jones, Power Station, Electric Lady Studios, Bach, Fugue in D Minor, Clair De Lune, Debussy, Getty, Run Londinium, Stockhausen, Karlheinz Stockhausen, Molly Bloom, Soundtoys, Devil-Loc, EchoBoy, Waves Abbey Road, Tape J37, Alti-Verb, Logic, Pro Tools, Black Mirror, USS Callister, Black Mirror USS Callister, Netflix, 2

Neil Goldberg, Dave Fraser, & Ari Winters of Heavyocity

The three brilliant pioneers behind virtual instrument empire, Heavyocity speak on the ideology that propels their groundbreaking product line, the obstacles they faced in launching their first product, Evolve, and how their enduring family bond has been instrumental to their success for over a decade.

Industry InnovatorsPaul Goldowitz, Ruby GartenbergMay 30, 2018Paul Goldowitz, Ruby Gartenberg, Heavyocity, Neil Goldberg, Dave Fraser, Ari Winters, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, James Newton Howard, Brian Tyler, Rupert Gregson-Williams, Cliff Martinez, Ramin Djawadi, Video Games, Advertising, Evolve, Heavyocity Evolve, Field Recording, Sample, Hybrid Score, Heavy Melody Music and Sound Design, New York, REO Speedwagon, Discovery, NFL, GE, Pepsi, Berklee College of Music, Annihilator, Carnegie Mellon, Heavy Melody, Game Audio Network, Game Audio Network Guild, Randy Pausch, Don Marinelli, The Last Lecture, Activision, Activision Corporate, Kontakt, Native Instruments, Digital Performer, MOTU, Pro Tools, Stylus RMX, MOTU Mach Five, Kontakt Player 2, Intakt, Giga Studio, Tascam, NAMM, GRAVITY, Heavyocity GRAVITY, Pink Floyd, Hypnosis, Skeuomorphic, Neve 1073, Perception, Perception Heavyocity, Iron Man, Marvel, Black Panther, Black Panther Perception, Heavyocity Punish, Punish, Heavyocity Damage, Damage, Heavyocity NOVO, NOVO, NOVO Modern Strings, Warner Bros Studios, Warner Bros, Orchestra, Eastwood Scoring Stage, Heavyocity AEON, AEON, Universal Audio, Waves, Waves L3, iZotope, Izotope Trash, Izotope Ozone, Izotope RX, Dave Pensado, Pensado's Place, Pensado's Place Into The Lair, Dave Pensado Into The Lair, Heavyocity Scoring Guitars 2, Scoring Guitars 2, Native Instruments Komplete Kontrol, Rosa Mexicano, Keens Steakhouse, Teddy Roosevelt, The Breslin, April Bloomfield, Le Singe Vert, The Green Monkey, Heavyocity Sale

Pedro Bromfman

Multi-award winning powerhouse composer and two time Cinema Brazil Grand Prizes nominee shares about honoring the rich tradition of Latin-American music in an electronic world, balancing the beauty and darkness for Narcos, and why he believes he was made for film scoring.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzJanuary 18, 2018Paul Goldowitz, Ruby Gartenberg, Pedro Bromfman, Narcos, Elite Squad, Robocop, The Story of Us with Morgan Freeman, Chain of Command, Netflix, National Geographic, White Bear PR, Thumper, Park City Film Music Festival, ASCAP, ASCAP Award, Cinema Brazil Grand Prizes, Hollywood Music in Media Awards, ACIE Award, Premio Contigo! De Cinema, Berklee College of Music, Moacir Santos, John Coltrane, Miles Davis, Joe Pass, Wes Montgomery, Hermeto Pascoal, Guinga, Tom Jobim, Joao Gilberto, Cinema Paradiso, Ennio Morricone, UCLA, Jimi Hendrix, Chick Corea, Milton Nascimento, Wayne Shorter, Herbie Hancock, Pat Metheny, Peter Gabriel, Logic, Pro Tools, Digi 001, Latin Recording Academy, Pablo Escobar, Colombia, Medellín, Cali, Kontakt, Liza Richardson, Eric Newman, Gaumont, Prologue, Cassio Duarte, Manu Delago, Jeff Russo, Television Academy, Fargo, David Buckley, The Good Fight, José Padilha, City of God, Berlin Film Festival, Nat Geo, Sundance Film Festival, End Of The Line, 3

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