Posts tagged Aphex Twin
Daniel Pemberton
Daniel Pemberton

Gifted Golden Globes nominated composer speaks on remodeling the work of Bach within his explosive hybrid score for Ocean’s 8, how he convinced Aaron Sorkin to let him capture the essence of a rock band for Molly’s Game, and the innovative sequence he’s most proud of from medieval epic, King Arthur: Legend of the Sword.

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Film/TV ComposersRuby Gartenberg, Paul GoldowitzPaul Goldowitz, Ruby Gartenberg, Daniel Pemberton, Costa Communications, Ray Costa, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, All The Money in the World, The Man from UNCLE, The Man from U.N.C.L.E, King Arthur, King Arthur: Legend of Sword, Steve Jobs, Molly's Game, The Counselor, Ridley, Daniel Pemberton Interview, Ridley Scott, Aaron Sorkin, Guy Ritchie, Danny Boyle, Ocean's 8, The Future Sound of London, Video Game Magazine, Bedroom, Janet Street-Porter, Jean-Michel Jarre, The Grid, Brian Ino, Aphex Twin, John Barry, The Beach Boys, Ennio Morricone, Gary Ross, David Holmes, Steven Soderbergh, Ocean's Eleven, Ocean's Twelve, Ocean's Thirteen, The Italian Job, Quincy Jones, Power Station, Electric Lady Studios, Bach, Fugue in D Minor, Clair De Lune, Debussy, Getty, Run Londinium, Stockhausen, Karlheinz Stockhausen, Molly Bloom, Soundtoys, Devil-Loc, EchoBoy, Waves Abbey Road, Tape J37, Alti-Verb, Logic, Pro Tools, Black Mirror, USS Callister, Black Mirror USS Callister, Netflix, 2
ESKMO
ESKMO

Internationally celebrated electronic musician turned television composer, founder of Ancestor, and esteemed member of The Echo Society speaks on setting the stage for the menacing power politics of Billions, developing unique musical characters for each of Hannah Baker's tapes in 13 Reasons Why, and how spirituality has been a guiding light to ward off negative energy and stimulate creativity.

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Film/TV ComposersRuby Gartenberg, Paul GoldowitzPaul Goldowitz, Ruby Gartenberg, ESKMO, Brendan Angelides, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, Electronic Music, EDM, The Echo Society, Joseph Trapanese, Rob Simonsen, Jeremy Zuckerman, Benjamin Wynn, Nathan Johnson, Judson Crane, Machines on Task, Illuminate, Ascension, Vines and Streams, Cyberset, Ninja Tune, Florescence, Ancestor, Welder, SOL, Apollo, Billions, Milan Records, 13 Reasons Why, Interscope, Selena Gomez, Amon Tobin, Bamboo Snow, Chalice Well, Purple & Orange, Cloudlight, Come Back, We Got More, Moving Glowstream, Language, Terra, Cliffside, Jetski, Speaking in Tongues, Hypercolor, Agnus Dei, Let Them Sing, Land and Bones, Bar9, Bibio, Spor, Hundred Waters, Les Claypool, Primus, San Francisco, Connecticut, FeelHarmonic, Artist, Recording Artist, Planet Mu, Warp Records, Michael Jackson, The Prodigy, Roland JX-305, The Residents, Eskimo, Downbeat, Vertical Sound, Cyber Funk, Aphex Twin, Yuri's Night, NASA, Los Angeles, Ableton, Logic, Showtime, Netflix, Charlie Chaplin, Vibiana Downtown, Ace Theatre, Reggie Watts, Mica Levi, Jonsi, Sigur Rós, Chris Taylor, Grizzly Bear, Chelsea Wolfe, Clark, R&S, Tiny Desk Concert, NPR, Kontakt, Razor, Serum, Imposcar, UAD, Soundtoys, Trash, iZotope, FabFilter, Paul Giamatti, Damian Lewis, Stranger Things, Bobby Axelrod, Production, Music Producer, LA2A, Manley, Brainworks, Subpac, Albert The Wonder Squirrel, Buddhist, Buddhism, Thich Nhat Hanh, Deer Park Monastery, Plum Village, 2, 3