Maggie Phillips

Illuminated and experimental music supervisor speaks on her trial by fire entry to the field after the success of The Duplass Brothers’ The Puffy Chair, her complex collaboration with Noah Hawley and Jeff Russo to manifest the psychedelic atmosphere of Legion, and how a sync from Fargo led to the expansion of a farm in Zambia.

Music SupervisorsRuby Gartenberg, Paul GoldowitzMay 31, 2018Paul Goldowitz, Ruby Gartenberg, Maggie Phillips, Marguerite Phillips, Music Supervisor, Music Supervision, Sync, Synch, Music Licensing, Sync Licensing, Music Supervisors, Duplass Brothers, Oscars, Golden Globes, Moonlight, Sundance Film Festival, Sundance, Grand Jury Prize, The Miseducation of Cameron Post, The Handmaid's Tale, Snowfall, Altered Carbon, Legion, Fargo, Dietland, FX, AMC, Hulu, Netflix, University of Texas, Austin, Liberty Lunch, The Puffy Chair, Mark Duplass, Jay Duplass, William Morris Agency, Cyrus, Wende Crowley, Sony/ATV Music Publishing, Gabe Hilfer, Noah Hawley, Jeff Russo, Jefferson Russo, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, Yama Yama, Yamasuki Singers, Bashi Mwana, Musi-O-Tunya, Reunion, Bobbie Gentry, Locomotive Breath, Jethro Tull, War Pigs, Black Sabbath, Punk Rock, Dark Side of the Moon, Pink Floyd, Coen Brothers, Didn't Leave Nobody but the Baby, O' Brother Where Art Thou, Ship of Fools, World Party, Warren Littlefield, Bruce Miller, Elizabeth Moss, June Osbourne, Gwen Stefani, Hollaback Girl, Gilead, Marti Noxon, Sarai Walker, Julianna Barwick, Zach Cowie, Master of None, Eothen Alplatt, Now Again Records, Zambia, Reddit, Thomas Golubić, The Guild of Music Supervisors, Guild of Music Supervisors, GMS

Amanda Krieg Thomas

Guild of Music Supervisors Award winning dynamo, integral Neophonic Music & Media team member, and founder of Tadpole Audio dishes on tapping into the psyche of a murderer for American Crime Story: The Assassination of Gianni Versace, her creative synergy with PJ Bloom, and her top tips for getting a response from a music supervisor.

Music SupervisorsRuby Gartenberg, Paul GoldowitzMarch 28, 2018Paul Goldowitz, Ruby Gartenberg, Amanda Krieg Thomas, Amanda Krieg-Thomas, Music Supervisor, Music Supervision, Sync, Synch, Music Licensing, Sync Licensing, Music Supervisors, American Crime Story, Claws, American Horror Story, Feud, Feud: Bette and Joan, 9-1-1, Reverie, Tracy McKnight, Julia Michels, Neophonic, Neophonic Music & Media, The Americans, Northwestern University, Northwestern, Lionsgate, Lenny Wohl, UCLA, UCLA Extension, Russell Ziecker, Endemol Shine North America, Daryl Berg, Alec Sharpe, The Biggest Loser, MasterChef, Format, Format Entertainment, Pitch Perfect, Pitch Perfect 2, The Other Woman, Beyond The Lights, PJ Bloom, Warner Bros, Film Music, Television Music, Evyen Klean, Jennifer Reeve, Janet Lopez, Now & Then, 10 Things I Hate About You, Empire Records, The Last Five Years, Parade, Aida, Pose, Ryan Murphy, NBC, FX, Gianni Versace, Versace, Lisa Stansfield, La Bouche, Alexis Martin Woodall, Andrew Cunanan, Phil Collins, Philip Bailey, Easy Lover, Aimee Mann, Drive, The Cars, David Madson, A Little Bit of Ecstasy, Jocelyn Enriquez, Be My Lover, Nathan Barr, Joe Fields, Joe Weisberg, Janine Sherman Barrois, Eliot Laurence, Rashida Jones, Will McCormack, Patti Labelle, Lady Marmalade, American Girl, Toby Lightman, IMDB, Tunefind, Twitter, Rob Lowry, Robert Lowry, Tadpole Audio, Henry Danger, Botanica Restaurant, Botanica Restaurant & Market, Kismet, Kettle Black, Guild of Music Supervisors, The Guild of Music Supervisors

Jen Malone

PR maven and music detective for Donald Glover dishes on her newfound appreciation for hip hop since working on Atlanta, the power of yoga, and best practices for working in tandem with other creatives.

INTERVIEWS