Posts tagged ASCAP
Shawn LeMone
Shawn LeMone

Inspirational Senior Vice President: Film & TV Music / New Media at ASCAP speaks on mentoring the next wave of promising talent through the ASCAP Film Scoring Workshop, how the explosion of entertainment outlets is affecting composers at large, the evolution of the annual ASCAP Screen Music Awards, and the diverse film/TV related programming he has curated for this year’s “I Create Music” EXPO.

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Industry InnovatorsRuby Gartenberg, Paul GoldowitzPop Disciple, PopDisciple, Paul Goldowitz, Ruby Gartenberg, Shawn LeMone, ASCAP
Didier Lean Rachou
Didier Lean Rachou

Esteemed ASCAP Award winning composer and philanthropist speaks on the fateful letter that landed him a scoring job on Sex in the City, building an expansive, triumphant sound world to highlight the treachery of Deadliest Catch, and the influence of being raised by an icon in the realm of haute cuisine.

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Film/TV ComposersPaul Goldowitz, Ruby GartenbergPop Disciple, PopDisciple, Paul Goldowitz, Ruby Gartenberg, Didier Lean Rachou, Deadliest Catch, Gold Rush, Sex in the City, Food Network Star, Moving McAllister, Her Best Move, How To Rob A Bank, Powder Blue, Manhattan School of Music, The Juilliard School, Ashford & Simpson, McCoy Tyner, Ron Carter, Paquito D'Rivera, ASCAP, ASCAP Award, Jean-Jacques Rachou, James Beard, La Côte Basque, Henry Mancini, David Hockney, Michel Colombier, Maurice Jarre, Chesky Records, Van Dyke Parks, George Martin, David Bowie, Blackstar, Zach Danziger, Tim Lefebvre, Donny McCaslin, Gore Vidal, Missy Cohen, David Chesky, Norman Chesky, French Consulate, A Year in Provence, Peter Mayle, A Good Year, Ridley Scott, Provence, 2
Jennifer Harmon
Jennifer Harmon

Distinguished Senior Director of Film/TV at ASCAP speaks on her journey from psychology and neuroscience to the music business, her role in nurturing the next wave of talent in the composing world, and what to expect from this year’s ASCAP “I Create Music” EXPO in May.

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Industry InnovatorsRuby GartenbergPaul Goldowitz, Ruby Gartenberg, Jennifer Harmon, Jen Harmon, ASCAP, ASCAP EXPO, ASCAP "I Create Music" EXPO, ASCAP Film Scoring Workshop, Richard Bellis, ASCAP Screen Music Awards, Krakow Film Music Festival, Soundtrack Cologne, World Soundtrack Awards, Didier Rachou, Matthew Margeson, Layla Minoui, Joseph Trapanese, Julia Newmann, Columbia University, Oscars, Golden Globes, Nicholas Britell, Moonlight, Austin Wintory, BAFTA, Journey, Rob Duncan, Castle, Vampirina, Disney, Elizabeth Matthews, Marilyn Bergman, Germaine Franco, ASCAP Shirley Walker Award, Film Independent, Project Involve, Music Modernization Act, Junkie XL, Mad Max: Fury Road, Tomb Raider, Katy Perry, Justin Timberlake, Timbaland, Quincy Jones, Pulitzer Prize, Lin-Manuel Miranda, EMMY, EMMYs, Bear McCreary, Chris Stapleton, Luke Cage, Adrian Younge, Ali Shaheed, Ali Shaheed Muhammad, Call of Duty: WWII, World of Warcraft, Bioshock, Middle-earth: Shadow of War, Production Music Association
Liz Lawson
Liz Lawson

First lady of the Black Ink Crew franchise and founder of Vinyl Rules Music Supervision speaks on synching Macklemore ahead of his widespread success, what to expect sonically from Eat, Brains, Love, and the nuanced art of pitching your music for success.

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Music SupervisorsRuby Gartenberg, Paul GoldowitzPaul Goldowitz, Liz Lawson, Black Ink Crew, Guild of Music Supervisors, Black Ink Crew Chicago, Gary Calamar, Carrie Hughes, Vinyl Rules, Vinyl Rules Music Supervision, Eat Brains Love, Orange Twin Records, Neutral Milk Hotel, Six Feet Under, Thomas Golubić, KCRW, Alyson Vidoli, True Blood, Dexter, House, ASCAP, BMI, MTV, Macklemore, Rhino, Ellenberg, Viacom, Get A Job, Miles Teller, Anna Kendrick, Dylan Kidd, Lionsgate, CBS Films, CBS, Jonathan Sadoff, Idle Hands, Dumbfoundead, Spotify, Hype Machine, CD Baby, Indie Shuffle, Extreme, Snoop Dogg, Xzibit, Audio Network, Chris Paul, ESPN, NBA, West One Music Group, VH1, Disco, Box, The Beach Boys, Landline, Jenny Slate, Amazon, The Television Academy, EMMY, EMMYs, Music Supervisor, Music Licensing, Music Supervision, Guild of Music Supervisors Awards, Music Supervisors, The Guild of Music Supervisors
Pedro Bromfman
Pedro Bromfman

Multi-award winning powerhouse composer and two time Cinema Brazil Grand Prizes nominee shares about honoring the rich tradition of Latin-American music in an electronic world, balancing the beauty and darkness for Narcos, and why he believes he was made for film scoring. 

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Film/TV ComposersRuby Gartenberg, Paul GoldowitzPaul Goldowitz, Ruby Gartenberg, Pedro Bromfman, Narcos, Elite Squad, Robocop, The Story of Us with Morgan Freeman, Chain of Command, Netflix, National Geographic, White Bear PR, Thumper, Park City Film Music Festival, ASCAP, ASCAP Award, Cinema Brazil Grand Prizes, Hollywood Music in Media Awards, ACIE Award, Premio Contigo! De Cinema, Berklee College of Music, Moacir Santos, John Coltrane, Miles Davis, Joe Pass, Wes Montgomery, Hermeto Pascoal, Guinga, Tom Jobim, Joao Gilberto, Cinema Paradiso, Ennio Morricone, UCLA, Jimi Hendrix, Chick Corea, Milton Nascimento, Wayne Shorter, Herbie Hancock, Pat Metheny, Peter Gabriel, Logic, Pro Tools, Digi 001, Latin Recording Academy, Pablo Escobar, Colombia, Medellín, Cali, Kontakt, Liza Richardson, Eric Newman, Gaumont, Prologue, Cassio Duarte, Manu Delago, Jeff Russo, Television Academy, Fargo, David Buckley, The Good Fight, José Padilha, City of God, Berlin Film Festival, Nat Geo, Sundance Film Festival, End Of The Line, 3