Mysterious award-winning sonic pioneer discusses how a cattle call in Toronto led to the inception of his artistic union with auteur Robert Eggers, how he evoked a feeling of the sea in his enthralling atonal score for The Lighthouse, the provenance of bespoke instrument, The Apprehension Engine, and his greatest fear as a music maker.

Exuberant composer speaks on capturing the musical magic of New Orleans in the 1910s and innovating upon quintessential songs for Disney’s live-action version of Lady and the Tramp, how he translated the visual cavalcade of Arctic into an aural medium with re-amplified orchestra and convolution reverb, and his profoundly experimental approach on BenDavid Grabinski’s upcoming thriller comedy, Happily.

Supernatural award-winning composer speaks on modernizing sonic hallmarks of the old West to fuel his score for El Camino: A Breaking Bad Movie, having the luxury of time to hone his musical character study of Jesse Pinkman, the stylistic choices he employed for the showdown at Kandy Welding Co, and which familiar face from the Breaking Bad universe he was delighted to see revivified.

Brilliant self-made composer reveals the path to land his breakout gig on CSI: Miami, how they determined the aural character of Chuck Lorre’s Golden Globe-winning passion project, The Kominsky Method, his musical highlights from Silicon Valley ahead of the series finale, and a deconstruction of the Hollywood overnight success mythology.

Formidable Grammy-winning and Emmy-nominated music supervisor speaks on his wild juggling act to bring the magic of musical theater to life on FX’s Fosse/Verdon, his full-blown investigation into the artistic achievements and personal histories of Bob Fosse and Gwen Verdon, seeking guidance from their only child, Nicole Fosse to curate the source material, and his role in Jon M. Chu’s film adaptation of hit Broadway musical, In The Heights.

Elite Emmy-winning and Grammy-nominated music supervisor returns to discuss how they authentically rendered 1959 Jewish summer resort culture in the Catskills for The Marvelous Mrs. Maisel, consulting with a French drag queen to conduct research for the series’ elegant jaunt to Paris, using her skills of persuasion to bring together a ‘70s rock-driven soundtrack for Joe Berlinger’s Extremely Wicked, Shockingly Evil and Vile, and reuniting with Luca Guadagnino for the forthcoming HBO limited series, We Are Who We Are.

Brilliant music supervisor and founder of Deep Cut Music returns to discuss how she accomplished a near-impossible feat in licensing the entire Homecoming soundtrack from classic pre-existing film scores, the disconcerting parallels between contemporary American life and Gilead in The Handmaid’s Tale, propelling creepiness and otherworldliness with country ballads and French singers on The Act, the liberating and tear-inducing Ariana Grande sync during the pool party in Shrill, and a hint of what’s to come in the final season of Legion.

Celebrated music supervisor, Head of Film/TV at Faber Music, and co-team leader for Faber Alt. speaks on the core skills she honed during her time at HotHouse Music under Becky Bentham, the integral role of the enigmatic band, Unloved in the musical tapestry of Killing Eve, highlighting the newfound vulnerability of fierce assassin, Villanelle in season two, and crafting musical juxtapositions within the calamitous world of You Were Never Really Here.

Decorated Tony, Grammy, and Emmy winning musical visionary discusses how he manifested fluidity in the cross-disciplinary sonic storytelling of Fosse/Verdon, re-imagining iconic numbers from Sweet Charity and Cabaret, the symbolism behind his melancholic original theme, and adapting his expertise to the medium of television on a grander scale than ever before.

Inspirational Senior Vice President: Film & TV Music / New Media at ASCAP speaks on mentoring the next wave of promising talent through the ASCAP Film Scoring Workshop, how the explosion of entertainment outlets is affecting composers at large, the evolution of the annual ASCAP Screen Music Awards, and the diverse film/TV related programming he has curated for this year’s “I Create Music” EXPO.

Daring recording artist, Golden Globe and Emmy nominated songwriter, and burgeoning composer speaks on the creative considerations behind Revelation, the original song he co-wrote with Troye Sivan and Jónsi of Sigur Rós for Joel Edgerton’s Boy Erased, crafting musical numbers for the queens of RuPaul’s Drag Race, and how creating the perfect breaker for Daya changed his life.

Fearless entrepreneur behind Extreme Music and Bleeding Fingers Music speaks on his punk rock beginnings, his uphill battle to change the industry’s impression of production music and build the largest grossing company of its kind, the genesis of his collaboration with Hans Zimmer, and his recent adventures in VR.

Season 3 | Episode #14
Academy Award-Winning Film Editor behind Netflix’s Spiderhead

Season 3 | Episode #13
Music Supervisor of Hulu’s The Dropout

Season 3 | Episode #12
Composer of HBO Max’s Julia

Season 3 | Episode #11
Composer of HBO Max’s Gossip Girl
Grammy Award-Winning Producer & Songwriter

Season 3 | Episode #10
Music Supervisor of HBO Max’s Minx & Netflix’s Russian Doll

Season 3 | Episode #09
Composer of BBC One & HBO Max’s The Tourist