Amanda Krieg Thomas

Guild of Music Supervisors Award winning dynamo, integral Neophonic Music & Media team member, and founder of Tadpole Audio dishes on tapping into the psyche of a murderer for American Crime Story: The Assassination of Gianni Versace, her creative synergy with PJ Bloom, and her top tips for getting a response from a music supervisor.

Music SupervisorsRuby Gartenberg, Paul GoldowitzMarch 28, 2018Paul Goldowitz, Ruby Gartenberg, Amanda Krieg Thomas, Amanda Krieg-Thomas, Music Supervisor, Music Supervision, Sync, Synch, Music Licensing, Sync Licensing, Music Supervisors, American Crime Story, Claws, American Horror Story, Feud, Feud: Bette and Joan, 9-1-1, Reverie, Tracy McKnight, Julia Michels, Neophonic, Neophonic Music & Media, The Americans, Northwestern University, Northwestern, Lionsgate, Lenny Wohl, UCLA, UCLA Extension, Russell Ziecker, Endemol Shine North America, Daryl Berg, Alec Sharpe, The Biggest Loser, MasterChef, Format, Format Entertainment, Pitch Perfect, Pitch Perfect 2, The Other Woman, Beyond The Lights, PJ Bloom, Warner Bros, Film Music, Television Music, Evyen Klean, Jennifer Reeve, Janet Lopez, Now & Then, 10 Things I Hate About You, Empire Records, The Last Five Years, Parade, Aida, Pose, Ryan Murphy, NBC, FX, Gianni Versace, Versace, Lisa Stansfield, La Bouche, Alexis Martin Woodall, Andrew Cunanan, Phil Collins, Philip Bailey, Easy Lover, Aimee Mann, Drive, The Cars, David Madson, A Little Bit of Ecstasy, Jocelyn Enriquez, Be My Lover, Nathan Barr, Joe Fields, Joe Weisberg, Janine Sherman Barrois, Eliot Laurence, Rashida Jones, Will McCormack, Patti Labelle, Lady Marmalade, American Girl, Toby Lightman, IMDB, Tunefind, Twitter, Rob Lowry, Robert Lowry, Tadpole Audio, Henry Danger, Botanica Restaurant, Botanica Restaurant & Market, Kismet, Kettle Black, Guild of Music Supervisors, The Guild of Music Supervisors

Marat Berenstein

Tenacious artist manager, founder of The Marat Berenstein Company, and adjunct professor at NYU's Clive Davis Institute of Recorded Music speaks on his illuminating experience working for the legendary Art Garfunkel, the importance of being a person of integrity in business, and how social sharing has radically changed the distribution of music.

Industry InnovatorsRuby Gartenberg, Paul GoldowitzMarch 9, 2018Paul Goldowitz, Ruby Gartenberg, Marat Berenstein, Matt FX Feldman, Clive Davis Institute, Clive Davis Institute of Recorded Music, Columbia University, Art Garfunkel, Simon and Garfunkel, Matt FX, Matt Feldman, Music Supervisor, Music Supervision, The Marat Berenstein Company, Marat Berenstein Company, Broad City, Synead Nichols, Synead, Millions March, Millions March NYC, Edward R. Murrow, Ivy League, Computer Science, Puff Daddy, P. Diddy, Jay-Z, Russell Simmons, Rick Rubin, MTV, Rolling Stone, Vibe, LinkedIn, Myspace, Facebook, Manager, Management, Artist Manager, Artist Management, Sync, Sync Licensing, Music Licensing, George Stephanopoulos, Madison Square Garden, Rob Reiner, Rumor Has It, Jennifer Aniston, Kevin Costner, The Graduate, Decon Records, Mass Appeal Records, Future Music Moguls, Pharrell, Jason King, Tisch School of the Arts, NYU, New York University, New York City, New York, Bob Power, A Tribe Called Quest, Maggie Rogers, Alaska, Summer High School, Spotify, Apple Music, Amazon, Tidal, Tunecore, CD Baby, DistroKid, Stem, YouTube, Twitter, Snapchat, Instagram, Instagram Live, Frank Ocean, Hit Me Music, Colossal Clusterfest, Comedy Central, Superfly, Abbi Jacobson, Ilana Glazer, Troy Carter, Atom Factory, Lady Gaga, Prince

Jen Malone

PR maven and music detective for Donald Glover dishes on her newfound appreciation for hip hop since working on Atlanta, the power of yoga, and best practices for working in tandem with other creatives.

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