Emergent composer and co-creator of New York-based artist collective, Found Objects discusses what he learned from apprenticing for Philip Glass, how he conveyed the grandiosity of Donna Tartt’s Pulitzer Prize-winning tome in his work on The Goldfinch, the tripartite musical through-line in his highly stylized synth score for Bloodline, and what he has in store for M. Night Shyamalan’s Servant.
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