John Seabury

Grammy nominated illustrator and poster art legend speaks on the highs and lows of commercial work, how being the same age as Rock'n'Roll shaped his reality, and the story behind losing to Madonna.

Industry InnovatorsRuby Gartenberg, Paul GoldowitzJune 2, 2017Paul Goldowitz, John Seabury, John Seabury Art, JHS, GRAMMY, Illustrator, Rock'n'Roll Hall of Fame, Rock n' Roll Hall of Fame, Screamin' Jay Hawkins, Radiohead, Devo, George Clinton, Parliament Funk, Willie Nelson, Psycotic Pineapple, Punk Rock, Willie Mays, Comics, Scratchboard, Drawing, Virgil Finlay, Sci-Fi, Creativity, Commercial Art, S. Clay Wilson, San Pablo Serenade, Kevin Gilbert, Sheryl Crow, Madonna, Jon Rubin, Pyno Man, Joel Selvin, Tuesday Night Music Club, Letterman, Leaving Las Vegas, The Shaming of the True, The Knockout Room, San Francisco, Cartoon, Pin up, Glamour, Burlesque, Sophia Loren, Julie Newmar, Gil Elvgren, Alberto Vargas, Enoch Bolles, Bunny Yeager, Pompeo Posar, Mario Casilli, Oakland, Berkeley, Oakland City Hall, Flint's BarBQ, Shattuck, LSD, Piedmont Avenue, Eli's Mile High Club, Rock'n'Roll, Lowenbrau Dark, Rhino Records, Hugh Brown, Zuzu's Petals, Caricature, Curly Howard, 90's, Anne Taintor, Turn It Around: The Story of East Bay Punk, JohnSeaburyArt.com, Ruby Gartenberg, Rock Art Expo, Lunachicks, The Extruders, Moonlight Mile

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