Posts tagged John Williams
Andrew Lockington
Andrew Lockington

Thrilling SOCAN and BMI Film Music Award winning composer speaks on highlighting themes of friendship and self-sacrifice within the chaotic destruction of Rampage, his “pinch me” moment while scoring the action-packed global phenomenon, San Andreas, and artfully balancing historical accuracy and modern innovation for the savage period drama series, Frontier.

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Film/TV ComposersRuby Gartenberg, Paul GoldowitzPaul Goldowitz, Ruby Gartenberg, Andrew Lockington, Pop Disciple, San Andreas, Rampage, Frontier, Journey to the Center of the Earth, Frankie and Alice, The Space Between Us, Percy Jackson, Percy Jackson: Sea of Monsters, Sanctuary, Mychael Danna, BMI, BMI Film Music Awards, SOCAN, SOCAN Awards, André Gagnon, Debussy, Steven Spielberg, John Williams, Nicholas Dodd, Brad Peyton, Director, The Rock, Dwayne Johnson, Video Games, Video Game, E.T., Jurassic Park, Star Wars, Eric Brevig, Abbey Road, Abbey Road Studios, Jason Momoa, Rob Blackie, Peter Blackie, Logic, Eventide, Soundtoys, Strymon, Griffith Observatory, PopDisciple, 2
Peter Nashel
Peter Nashel

The fastidious musical chameleon and co-founder of DuoTone Audio Group speaks on the rationale behind his treatment for the key incident in I, Tonya, teases out the modernized East meets West soundscapes of Netflix's Marco Polo, and explains what a vacation from your computer can do for your artistry. 

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Film/TV ComposersRuby Gartenberg, Paul GoldowitzPaul Goldowitz, Ruby Gartenberg, Peter Nashel, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, I Tonya, Marco Polo, Netflix, Eastman School of Music, Manhattan School of Music, Bill Holderman, Book Club, Jane Fonda, Candice Bergen, Diane Keaton, Younger, TV Land, DuoTone, DuoTone Audio, The Nigerian Prince, Paul Cohen, Broadway, Tanglewood, John Coltrane, The Heath Brothers, Bill Barron, Kenny Barron, Wesleyan, New York, New York City, Brooklyn, Jack Livesey, Moby, Play, The Beastie Boys, The Cranberries, tomandandy, Swing House, Atwater Village, Robert Urband, Film Music Management, Manager, Alexandre Desplat, Elmer Bernstein, Michael Kamen, Susan Jacobs, Craig Gillespie, Allison Janney, Tatiana S. Riegel, Bernard Hermann, Brian Deming, Lawrence Manchester, Tonya Harding, Jeff Gillooly, Nancy Kerrigan, Shane Stant, Shawn Eckhardt, China, Mongolia, John Fusco, Jim Black, Music Supervisor, Music Supervision, Dave Weiss, The Lion King, Flutist, Flautist, Multi-Instrumentalists, Game of Thrones, Outlander, Kublai Khan, Eric Hachikian, One Hundred Eyes, The Starship Enterprise, John Williams, Logic, Omnisphere, EastWest, Kontakt, Little Phatty, Moog Voyager, Fender Rhodes, Wurtlitzer, My Dinner with Andre, Karlheinz Stockhausen, Wallace Shawn, Southold, Long Island, Connecticut, 2, 3, I, Sue Jacobs, DuoTone Audio Peter Nashel